Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Since its first event in 1998, Midnight Mass has become an SF institution, and Peaches Christ, well, she's its peerless warden and cult leader.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Mona Achache's first feature relies heavily on an 11-year-old narrator, but it's 60- and 65-year-old actors who steal the show.
Xavier Dolan’s ‘Heartbeats,’ the 2010 Winner of Un Certain Regard Youth Prize at Cannes International Film Festival, opens at Landmark Theatres in San Francisco and Landmark’s Shattuck Cinemas. The film follows two best friends and their attempt to attain the affection of a charming man they’ve just met. More at landmarktheatres.com.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
Kiarostami’s ‘Certified Copy’ is a puzzling provocation that gets better with multiple viewings.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
A South Korean classic is re-envisioned.
SF Chronicle: "One of San Francisco's oldest movie houses plans to shut the lights for good this month. Landmark Theatres will walk away from the Clay on Sunday, leaving the Pacific Heights neighborhood without its single-screen theater. More at SFGate.
This little no-budget film has picked up a slew of festival prizes for its character depth, unpredictable storytelling, humor and warmth.
Veteran filmmakers Pablo Trapero and Jia Zhang-ke complicate their genres with Lion's Den and 24 City.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Arthouse theaters like The Roxie, Red Vic and The Balboa resist the economic downturn and adjust calendars to meet audience demands.
Troell keeps everything emotionally intimate in this lovely film full of grace moments, that chronicles the early 20th-century travails of the Larsson family.
The Irish flick might put the leper back in leprechaun, but it's still at heart a reassuringly formulaic hunk of bloody commercial horror.
The language of film may be universal, as the Landmark trailer reminds us, but the critics in major U.S. cities speak their own dialects.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.
We checked in with Gary Meyer to find out what films have rocked the 1926 foundations of the Balboa in the past six years.